Kate Bush on stage at Birmingham Hippodrome…

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Last night, Kate Bush made a triumphant return to the stage after more than a three decade long absence. Audience member, Craig Wooldridge blogs about seeing the icon of British music right here on the Birmingham Hippodrome stage back in April 1979…

A photo from Kate Bush's UK Tour programme in 1979

Kate Bush’s 1979 Tour Programme

I was 16 years old when I went to see Kate Bush at Birmingham Hippodrome in 1979. I was still into my punk music and groups at this age but she had an originality that was different to anything else around at that time and I was curious to see this phenomenon that had burst on the scene. I do also remember having to queue in the cold for several hours to get hold of one ticket by myself, no one else fancied it…

My memory about specifics of the concert is somewhat blurry but it was totally different to anything I’d experienced before; it was more of a theatrical performance than the pop/rock concerts I was used to. From what I can remember, I think the show was divided into four acts; there were a lot of costume changes plus some mime and poetry. There was also something said by Ms Bush at the time that some tracks were mimed because otherwise she couldn’t perform her dance routines, although she also used a headset microphone which was relatively unheard off in those days.

What sticks in my mind was when she sang “Oh England my Lion heart” – there was a World War theme to the piece with parachutes draped across the set and smoke pouring across the stage, really eerie but very moving.

She finished with “Wuthering Heights”, the stage set as a woody forest with Ms Bush in period costume in-keeping with the song title; again, I think she may have mimed to this as the dance was so intense (only speculation, don’t quote me!).

I had a good read of the programme but didn’t fancy the t shirt as I wondered if I’d have the mickey taken out of me by my punkie mates…

In those days I was going to one or two concerts a week at places like the Birmingham Odeon, Dale End Top Rank and Birmingham Civic Hall all around a fiver a ticket, so to stick in my now failing memory she must have been good.

On 30th September I will have the privilege of seeing this remarkable talent live once again, 35 years in the making and I’m sure Ms Bush will be just as unique today as she was all those years ago!

Were you there too? Let us know in the comments box and mark the event on Event Kick here. 

A new stage with old memories…

Robert Anchor has been coming to Birmingham Hippodrome since the 1930’s. After donating many opera programmes to our archives a few weeks back, Robert took the time to share some of his memories of the theatre…

Robert Anchor

Robert Anchor

I was born back in 1925 when Birmingham Hippodrome was a “twice nightly” variety theatre. At this time there were a number of theatres in Birmingham city centre; at the corner of Hurst Street and Smallbrook Street (now Smallbrook ringway) there was the Empire Theatre which also had twice nightly variety of somewhat less quality than the Hippodrome. There were also the Royal in New Street, which was demolished after the war and replaced with new office/shop buildings, and The Prince of Wales Theatre in Broad Street which was demolished by a bomb in 1940. There was also another theatre along Corporation Street which closed sometime in the 1930’s and the building has since been demolished to make way for a new road.

When I was young, we lived at Birchwood Crescent, Moseley.  I was often taken to the city (actually referred to then as “town”). We took the number 4 which made its way along Stoney Lane all the way to up Hurst Street; the great excitement for me was to see the tower above the front of the Hippodrome building, it had the name (Hippodrome) vertically on the side made of metal letters with electric lights inside the letters. The complete name was illuminated followed by each of the letters being separately lit up in sequence and so on for the whole late afternoon and into the evening. Needless to say, for a 5 year old, this was the most interesting part of the trip.

The old Birmingham Hippodrome Moorish Tower

The old Birmingham Hippodrome Moorish Tower

My father took our family to the pantomime at the Hippodrome at Christmas, usually to a matinee. The theatre was always full and shows went on from just before Christmas until early March. We would also go to one or two variety shows – I remember hearing Sir Harry Lauder, the famous Scottish Singer and Entertainer, and also Arthur Askey in his early days.

After the war started in Sep 1939 the Government introduced various regulations to reduce the likelihood of causalities during air raids. The Hippodrome had performances in the morning and the afternoon to avoid possible bombing in the dark evenings.

I was called up into the Army on leaving school and returned to Birmingham in 1947; theatres were then trying to become what they had been before the war. The Covent Garden Opera Company was being set up in London and each year it travelled to the major cities. In Birmingham, it played at the Theatre Royal; however, when Welsh National Opera was formed it also travelled to the provinces and came to Birmingham Hippodrome. It has now been coming for many years and I have often been to their performances; their repertoire has changed over the years, performing popular and rarely seen works, but I always find the quality to be very good. Sadlers Wells Ballet Company then came to theatre under the new name of Birmingham Royal Ballet where it is now based and plays several seasons per year.

Some of the programmes donated by Robert

Some of the programmes donated by Robert

Although I have enjoyed plays, ballet and other productions over the years, my favourite has always been opera, perhaps because I cannot sing a note myself! I have been able to attend Welsh National Opera at the Hippodrome many times over the years as well as Opera across the world including Salzburg, St. Petersburg, Prague and Paris to name a few. It is difficult to decide on a favourite work but I think that Beethoven’s Fidelio is near the top together with all Mozart’s later works.

Birmingham Hippodrome has provided the facilities to stage large works over the years and has an auditorium and stage which were, and are the best in Birmingham and have been improved in the post-war years. I always prefer seats in the Circle which have a splendid view of the stage. The renovation ten years ago made for an attractive entrance and now more work gets underway as the theatre prepares for a brand new stage…

You can find out more about the current building work and Stage Appeal HERE.

To find out more about our upcoming Opera programme CLICK HERE.

If you have programmes or collectables that you wish to donate to our archive please contact Caroline Davis on carolinedavis@birminghamhippodrome.com or 0121 689 3044.